Sarah Heenan has an ongoing interest in geometry and the crossovers between art and architecture. She regularly combines these elements in her practice, producing works that appear simple but are deceptively complex. Structures that refer to the scale of the human body relate to aspects of autobiography and self-portraiture, which can evoke particular meaning for both viewer and maker. The viewer’s emotional response to each artwork or installation – that possible moment of recognition and resonance – is of enormous importance. Subtle reference is also made to childhood memory as feelings of loss and security are embodied in projective spaces. Most recently Heenan’s interest has extended to considering the play between two- and three- dimensionality.

Heenan works with found materials, often recycled and easily available, including wood, cardboard, tape, paint and paper.